Archive Page 42

’67 Volkswagen bug by bryan snyder


music by Austin Trujillo

drip3 drip4

bug sculpture

A special thanks to Jeremy at Trippy Hippy Creations in Carlsbad for donating his bug and providing the opportunity to create.

This bug, and other omnipresent art drip sculpture, at SNYDER ART 2009!

Screen printing by bryan snyder

I luv cbad SHIRT

A weed thrives on the ability to grow without inhibitions. Though perceived as unattractive, the weed showcases qualities much like a beautiful flower, but with the uncanny ability to multiply. An unmanicured garden, much like a forest, grows freely, wrapping around nearby trees and hanging off tall branches.  Each individual plant interacts with its neighbors, ultimately creating a single entity of unrestricted growth and healthy culture.

Artistic ideas also thrive when allowed to grow freely. An idea becomes planted during the early stages of brainstorming. The “seed” of an idea slowly develops within the mind of an artist much like a seed germinates under rich soil. When ready, an idea sprouts and is shared for all to see, interact with and analyze.

cutSTEP1 Cut your frame sidebars. Choose wood as thin as possible, but thick enough to avoid bending. The size of your frame depends on your design. I usually work with an 11in. x 11in. setup. It’s a good idea to go bigger than too small. Make sure the cuts are straight and clean because an uneven frame may cause problems during future steps.

frame hammerSTEP2 Create your frame by hammering the sidebars together. Use small nails so to not split the thin wood. Large staples can be used, but nails tend to be easier. After nailed, twist your frame to correct any warps. A flat surface is important during STEP5. Sand edges if desired, but this in not really necessary. Choose flattest side for the mesh.

stapleSTEP3 Your frame is now ready for the mesh. Begin stapling on one side in the middle. Pull tight and work all the way to the edge. Go back to the middle and repeat in the opposite direction. Continue on opposite sidebar with same technique, then repeat on two remaining sides. Always pull tight when stapling. Tension is crucial!

emulsionSTEP4 Coat your screen with light sensitive emulsion. Completely cover the shirt side first with a thin layer. Do the same on the opposite side of the screen. Continue this pattern until there is minimal excess emulsion. Thick build ups cause problems when spraying. REMEMBER… this has to be done in the dark! Let dry in the dark t shirt side down with a fan.

burnSTEP 5 Place your color layer printed in solid black on a transparency on your screen. The shirt side of the screen faces up so flip your design upside down. Place a piece of glass over your transparency. Turn on the light. The amount of time exposed to light in crucial. Mine is 12mins. 30sec. The distance from light to screen is crucial too.

hoseSTEP6 Still in the dark, bring your screen to a water source with high pressure. Begin spraying your design. All areas exposed to light in STEP 5 will remain intact. Areas which were under black of transparency will remain soft. These areas spray out and result in your single layer design. Too much spray will make important edges soggy.

pullSTEP 7 (VIDEO) Attach your frame with burned and sprayed image to your press. Make sure to tighten because any movement of the screen will cause problems. Pull paint across the screen’s design onto your shirt. Try to avoid multiple passes over a t shirt. Pull up press and dry paint with a heat gun. Continue this precess with each color layer.


New carlsbadcrawl t shirts available at SNYDER ART 2009: Aug. 29th

Also available: limited edition screen prints on paper

Introducing Matt Gose


“Words” performed by Matt Gose at Snyder Art and Design

How old are you? Where do you live and where did you grow up? How long have you been playing music?
I’m 19. I was born and raised in Carlsbad. I’ve been playing music since about 14 or 15. Started when I was a sophomore in High School

What early memories do you have of being exposed to music? Did someone have to push you in that direction or was it a naturally developed passion?
When I was young both my parents would occasionally listen to the oldies station, which I really dug even at a young age. Really I discovered music on my own, though I guess I have to thank my parents for funding my record collection early on. Honestly, I couldn’t really say what pushed me into music. It was a blessing really. I guess you could say it was God that got me into music.

What is your instrument of choice? What others do you play and how did you learn them?
I studied the kazoo at Berkley School of Music for about two years after High school, until I was victimized in an unfortunate accident which left me unable to purse my lips for an extended period of time. It was at that point I began playing guitar. I haven’t put the thing down ever since. I can also play bass, blues harp, mouth organ and harmonica. Occasionally I’ve been known to fiddle around on the drums (and drum around on the fiddle).I’m learning piano as well, which from a musical perspective is kind of backwards, but you know how these things go… I was sort of inspired by my brother. He started on the guitar and I wanted to do the opposite of him. I started o bass and moved from there. Now he plays bass and I play guitar. Funny how that goes. We play together now mostly. Its hard cause of school and all, but we try to get together as much as possible.

What musicians and types of music inspire you? Who are your influences? What musicians are your favorites?
Most of the music I like was very unpopular a very long time ago. How’s that for alternative? My first love was classic rock. My first CD was the Beatles “1.” They are and forever will be my favorite group. I dig Dylan as well. I’d say the music I play and create is most directly influenced by them. I also dig ‘70s punk, dust bowl-era folk, blues, some jazz, ‘90s grunge and “alternative.” Mostly, I’d say what I write are songs influenced by culture, scenes, even more so than other music. I can write a song more easily based on an idea transpired through a painting or a book or a conversation sometimes than even by hearing other songs. Also I should mention I’m a thief, the greatest there is, though I doubt you’ll ever recognize the sources from which I steal most often.  Were I a rapper they’d call it sampling.

If you had to play a set of all covers, which songs, or musicians, would you pick?
If I had to play a set of all covers I’d change my name to Juke. Honestly, I don’t know.  I’d probably do a lot of Beatles, Dylan, Neil Young, Robert Johnson, Son House. The thing is I tend not to know many songs that people would want to hear. In other words, I’m terrible about doing the requests. I know the songs I know and I learn the songs I like best and which I feel best complement my style… of which I really have none.

When you write songs, what is the process? Where do your ideas come from and how do they evolve into a song?
Bloody Dagger! You’re pulling out the bug guns here aren’t you? It’s like this… chords, melody, lyrics. Right? Unless I write lyrics first. But that could lead to spending hours finding a melody and chords to match, and often ends with a re-write of the lyrics anyway. Sometimes I start with a melody then match the chords and put words in. Sometimes, it all just comes simultaneously. And as far as expressing ideas or feelings… well that usually comes a long time after the song is already written, which usually leads to scrapping the whole thing and starting over to fit the new idea. It varies, really. Sometimes I can spend hours and hours just trying to come up with one line. Other times I can write an album’s worth of songs in an hour. When in doubt, I always go back to my roots; that usually puts me on the right track. Again, inspiration is a blessing. Its cliché I know but songs really have a funny way of tracking you down sometimes. God really just hands you the ingredients and lets you figure out how to put them all together.

How do you feel about playing live oppose to recording? Do you feed off a crowd or do nerves play a factor?
Recording and performing are two different animals, each with their own up sides and down sides. I only dig performing when its songs that I really dig and they sound the way they ought to sound. Certainly the biggest aspect of performing is the crowd. If they aren’t into it, then I usually get into a funk, and not a good funk. Recording is cool because you get to create something. I like all types of recording, whether its minimalist, live, one-take kina stuff, or hefty multi-tracking. I dig experimentation and doing whatever it takes to make the song sound as it is supposed to.

Other than music, what interests do you have? Do they ever overlap your song writing?
I like art. Drawing, photography. I’m also very involved with my church. I feel that God and my friends and family at church have really played a key role in helping me develop as a musician and have really given me many catalysts to express, develop and share this gift I’ve been given. I like to read to sometimes. Right now I’m in school which can really put a stopper in music, but I try not to let school get too overwhelming to the point where I can’t play at all. There was a time when all I did was pay guitar. Five hours a day at least. Now I’ve got bigger responsibilities, not just school but also friends, relationships. I still love music and it’s probably the strongest and longest lasting relationship I’ve been in thus far, I just now have to prioritize.

How did you get involved with Snyder Art 2009 and what do you have in store for the night?
Snyder works next door to my Grandparents’ plumbing shop. He was in one day and we struck up a conversation. That’s it. What do I have in store for the night? Well, you’ll just have to show up to find out.

Does Carlsbad ever influence your song writing? How?
Carlsbad does influence me. In many ways. The people, the ocean (duh), the ever shrinking natural aspects. The contradictions, the aesthetic beauty and the underlying pain. The every changing and overly developed landscape. I love this town, but there is a lot I don’t like as well. Just like any town I suppose. It’s both the positive and negative that inspires me I’d say.

How do you perceive Carlsbad as an artistic community? Are their changes/additions which you feel could make it more of a nurturing environment for artists?
Carlsbad was an art town. Now, I don’t know. Sure there are artists, musicians, painters, actors, poets. But if you look up Carlsbad online they call it a resort town, not an art town. We certainly aren’t defined by our creative side, which is sad really. Because you go to places live Vinaka, the Pit, the multitude of street fairs we have and you see that Carlsbad certainly has a massive art culture. It’s just instead of being exposed for our neighbors to see, it sits just below the surface. I think artists could make a bigger effort to exhibit their creativity. I mean, geez, we’ve got a board walk. Where are the painters, where are the musicians, the street performers, the circus acts? Roger the Juggler can’t lead the army all by himself! Snyder calls them “closet artists!” I like that term. I think that’s what we are. A closet artist town.
Matt Photo by Alex Montoya

photo by Alex Montoya

To see Matt Gose LIVE, check out Snyder Art 2009: Aug.29th!

Carlsbad Flower Blocks by bryan snyder

Art is omnipresent, it is in everything and all around us. The most mundane appliances or structures can be critiqued in terms of color, composition and conceptual reasoning, ultimately revealing artistic merit. A toaster, a camera and a bicycle are all used, but rarely analyzed. To encourage a visual observation and mental analysis, I have chosen the most mundane. 16 cinder blocks have been transformed into colorful and creative sculptures to exaggerate their visual presence and give them an apparent artistic merit.

In addition, to counter balance all the print marketing used to promote SNYDER ART 2009, which ultimately is trashed, I hope that each creative marketing flower block will avoid landfills and be taken home as an addition to a garden or home decor.

Use this project as an excuse to wander the streets of the Carlsbad village and beach community. Search for your favorite flower block and take it home!

beach mid
click on all images to enlarge

snyder art tam news

cvd port do

g and s wine beech

v cessys cafe

grass beach left new village arts

Did you find them all? How did these “flower blocks” make you feel? Which one is your favorite?

VIDEO filmed by Justin Cannon MUSIC by The Ghost Orchid

Silicone Molding by bryan snyder

same ol title

As an artist, the easy part is coming up with the idea. The tough part, though always fun, is carrying it out. As a kid, the medium was always the same… pencil on paper. As I have grown, my projects have become larger and more wide spread.

The below steps briefly describes the process of sculpting, silicone mold making and resin casting for small figurines. Use the steps as a rough guide and carry out further research elsewhere. This was my first attempt at making an army…

snyder sculptingModel your clay sculpture into your desired shape. A variety of tools are available at your local arts and crafts store. I chose to work with non hardening Chavant Clay because of the option to work a piece at a time over a long period without drying. This may cause a slight problem during the later stage, but the freedom of working without time limits is a plus.

mold boxA sturdy box will have to be constructed to house your clay sculpture. Cut four walls out of poster board and hot glue each piece to cardboard. Make the house large enough to hold your piece, but remember the larger your house the more materials you will need. Make sure all seems are leak proof, but try not to glue too much. These pieces will be removed later.

play dFill the bottom of the housing with something that your sculpture can sink into. I choose Play Doh to prevent damaging the bottom half of my non hard and easily altered sculpture. Play Doh is slightly messy, but it won’t change your sculpture’s shape. They side under the surface of the clay will be your second silicone pour, your first being the current exposed side. Make sure the bottom of sculpture is against one side. This will create the hole in the mold which you will pour your resin into.

pourMix your “potions” for your silicone mold. Stir thoroughly because any inconsistencies may cause problematic air pockets in your mold. This pour has a 1:10 ratio. Remember that anything you mix at this stage will dry on your sculpture or in the sealed container. Pour wisely and thoroughly because these supplies aren’t cheap.

siliconePour your mixed silicone into your housing. Any excess silicone will harden. Avoid pouring directly onto your sculpture. Pouring directly onto sculpture will increases the chance of dreadful air pockets. Pour directly into corners of housing and let silicone slowly “roll” onto and over sculpture. Let silicone completely cover your sculpture.

remove pay dWhen dry (drying time depends on your product) flip housing over and remove the Play Doh or clay. This will expose the under side of the sculpture. Play Doh becomes a problem at this point because it is difficult to remove. I used sculpting tools to remove each piece of Play Dog. Any pieces left of your sculpture will result in errors in your resin.

side 2Pour another silicone mixture onto the newly exposed side keeping in mind that you want your pour to land in a corner of your housing and “roll” onto your shape. Any trapped air will result in undesirable results in your finished resin sculptures. Adjust your pouring speed and quantity depending on the area the silicone is rolling over.

openWhen dry, remove the housing walls and separate the two dry silicone mold pieces. Notice the holes around the clay sculpture and the fitting male protrusions of the other half. These guarantee exact registration for later steps. Remove your clay sculpture. Your sculpture may be damaged and you may want to fix them for archiving reasons.

resinFit the two halves back together. Use tight rubber bands to guarantee a tight fitting. Mix your product and pour into the silicone mold. The products I choose were a simple 1:1 mix. The resin will chemically react and increase in temperature. I had 180 seconds to mix and pour into silicone mold before it started hardening. Fill to brim and let dry.

resin sculpt When dry, remove rubber bands and release the two halves of the silicone mold. Be careful not to damage any edges. The resin cast may still be hot so test the temperature first. Remove the resin cast and check for leaked pieces. These pieces can easily be removed or sanded down. Let your resin cast coll down and repeat the above steps for as long as materials last.

snyder spray

Click HERE for the silicone I used and HERE for the resin!

5 inch Same ‘Ol sculptures available at Snyder Art 2009: Aug. 29th only.

Thanks David Lozeau for all the advice

SNYDER ART: Chapter 2

new paintings web

When you work a whole year for one show, a stack of paintings slowly grows in the back of your studio. Your progress is measured in the height of the pile and your technical and creative achievement is something that will be critiqued during your opening reception. Your pile is a visual journal. Each painting is a page, a procedure and a documentation of an idea. Stacked upon each other, a chapter is written…

SNYDER ART 2009
Sat. Aug. 29th 7PM
2695 State Street Carlsbad (map)

Upcoming post HERE on carlsbadcrawl.com: Matt Gose interview, Screen printing tutorial, drip painting a Volkswagon Bug, “living with the artist” interview with Briana Mooney and more!


A Sidewalk Doodle

fiesta liquor carlsbad

It seems like recent weeks leading up to my show have been packed with chores, meetings and a lot of organizing. The mornings begin with a few hours of emails and online updates and the rest of the day is an attempt to complete as many tasks as possible off a list that rarely shortens. Obligations other than SNYDER ART 2009 often arise. Whether a pint with a friend, visiting family, community event or a snyder coast newssidewalk doodle, I try to squeeze in as much as I can. Like the hours cutting for each stencil or the days of dripping for one painting, the work that goes into a creation is gruesome, but the outcome is always worth the effort.

The Coast News shot a photo of me one day as I sketched on the sidewalk out in front of my studio.  The photo was later used for an article on the local art scene and the new Thursdays on the Coast self guided art stroll. The photo shows me sketching, but my pad of paper is hidden from camera. I guess a lot of people read the article because I am frequently asked what I was sketching…

Fiesta Liquor by Bryan Snyder July/Aug. ’09

New Magnets and Stickers: Aug. 29th

snyder art 2009 stickers

The paintings that hang from the walls of a gallery is only one section of the work that goes into an art show. A web of networks has to be woven from the local community to the press. Marketing material has to be designed- web and print and all promotions have to be distributed. Timing is key and organization is essential. For an artist who creates the art, designs the marketing material and promotes the show, the last month shifts from a hobby to a job.

stickersMagnets and stickers have become my main source of advertising. Conversations often arise quickly after an introduction regarding a memory of a magnet above the taps at Señor Grubby’s or a sticker on the Pizza Port bottle shop front door. What was once a inexpensive way to share my work has become an excellent way to promote my ideas.

New magnets and stickers available at SNYDER ART 2009: Aug. 29th

Señor Grubby’s at SNYDER ART 2009

grubbys carlsbad

All my paintings, prints and sculptures are finished and packed away. My studio is empty and the ARTpartment has been transformed from a cozy magazine laden residence to a swollen storage of creativity. Each piece awaits for its time to hang under bright lights and in front of scanning eyes. One large piece of art still remains… the piece which results after a full year of work, thousands of hours of Printplanning and weeks of promotion… SNYDER ART 2009. Each annual show with all its components is the final art form. Everything as a whole is the masterpiece I attempt to create!

Catering is a large component of the final art piece. Each year I pick a local restaurant to provide food for my show. They become an essential piece of the total experience. Each year’s chosen catering is included on all marketing material and highlighted in many promotional packages. This year Señor Grubby’s in Carlsbad was chosen for their interest in the community, their creative marketing strategies and their excellent food, beer and ambiance.

SNYDER ART 2009 menu: beans, rice, chicken, tortillas, chips and salsa

click HERE for the Señor Grubby’s website!
click HERE for directions to Señor Grubby’s in Carlsbad

Have you seen the Snyder Art in Señor Grubby’s?

the Road to Snyder Art 2009

road to snyder art 2009

The cycle continues. Another year of creating is about to conclude with Bryan Snyder’s second annual solo art show located at his Carlsbad village studio on Aug. 29th. The show will consist of his favorite paintings from this year, as well as t shirts, drip sculptures, stickers, magnets, limited edition prints, food and live music.

Starting today, and up until the show, Bryan Snyder will document his journey leading up to August 29th. Lots of video and photos have been taken in the past months and he will continue to shoot all the way up to the show. Interviews will be posted and concerns will be shared.

“A finished art piece is more the reward than the art itself. The masterpiece lies in the process, in each step leading up to the finished product.”

Visit back often to see each step leading up to the final piece of art: SNYDER ART 2009

click HERE to visit snyderart2009.com

Split Ends Art Show:Oside

art_show_outlined

WHAT: a collaborative art show
WHERE: Split Ends Hair studio in Oceanside (map)
WHEN: Sunday Aug. 23rd 6pm-10
WHY: local Art

Check out Carlsbad Foundry artist’s Pablo and Matty, as well as other great creators!

Los Sindicate rocks Hensley’s

los sindicate hensleys2
click on all photos to enlarge

dan rockinAn eager crowd poured through the welcoming doors of the dark pub as the bar cracked with PBR tall cans. Tenders frantically juggled drinks and the taps rattled with the excitement of another packed house. Ice cubes clanked around stiff drinks and family, friends and austin hensleysstrangers all focused on a nest of wires which soon would be untangled and pulsating with the solid tunes of contemporary music’s most promising savior… Los Sindicate.

Austin stood center stage with a weathered fiddle firmly planted under his chin and the hairs of a frayed bow blew los sindicate hensleys 2in the warm breeze from ajar front doors. Brian bounced with anticipation under dark shades and Kevin inched his drum set closer to the crowd. Dan gripped his guitar and grinned at the crowd as if he was a storm grimacing at a suspecting crew upon a feeble boat deck.

If a cloud was to tear open with soul jolting riffs, ear piercing vocals and the beats of a bruising drum, the awaiting crowd was steadfastly attached to the sticky floor a and danin welcoming alertness. The lights dimmed and a dark cloud ripped open, dropping an explosion of energy onto the crowd like a salty wave on a fist pumping crew. Beer splashed and high fives bounced high above the slippery floor as Los Sindicate tore into their first song.

los sindicate hensleys side

austin in crowdLos Sindicate rattled the walls of Hensley’s for three hours as the crowd remained intrigued and active. Crowd favorite originals tumbled into the warm night with intermixed covers of Led Zeppelin, the Doors and ACDC. Scott Sullivan joined in for a song on drums and memories of early POC jam sessions filled the minds of long time listeners. Each song… new or old, ran down the spine of the most stiff resulting in head bouncing swaggers. The entire building danced like a jellyfish and the feet of a back room party shuffled towards the band.


los sindicate corwd

For a band with strong ties to Carlsbad, a local show was due. When word seeped into the streets that the time had come and that Hensley’s was to play host, a hype quickly spread. Those looking for a buzz and some good tunes filled the empty spaces of the front room at 8pm sharp and stayed long into the night. Carlsbad is in search for a new identity, one of surf and the beach fused with local art and music. A better band could not have come into town and the Carlsbad community is still rattling from the powerful performance of last weekend.

Los Sindicate and Cashed Out @ the OC Tavern: Sat. Aug. 22nd 9PM.

Los Sindicate @ Hensley’s

hensleys flyer

WHAT: Los Sindicate
WHERE: Hensley’s Flying Elephant (map)
WHEN: Sat. August 8th 8pm
WHY: mean fiddlin’

Click HERE for Los Sindicate at the OC Tavern!

Click HERE for the art of Los Sindicate’s Austin Trujillo!

closer than they appear

mirror

Cars creep into traffic and school yard balls bounce over chain link fences. Homeless swagger cardboard signs on busy corners and scavenging crows tear into fresh roadkill. A pothole is a spilled cup of morning brew and a yellow light is a frantic acceleration. A summer day squeaks your overworked brakes and crosswalks animate with the sandy shuffles of a long beach day. During the day’s chaos, your mind is constantly alert, on edge and forced to react to upcoming surprises.

In between waves of chaos and unmanageable headaches, rest your eyes and reminisce of past times. Think of childhood strolls through shaded parks and wasted afternoons in front of simple video games. Remember when your alarm clock was a tossed pillow from your bedroom doorway and a bursted bubble was a puddled sidewalk after an unexpected water balloon.

Simple memories may not heal the wounds of tomorrow, but an uplifting smile can always be found within the glances of yesterday.

NIHILIST slaughters a village Boar

nihilist boar crossin carlsbad

solo2NIHILIST has been killing it locally and abroad for almost a decade. Double bass gallops have shattered the windows of local house ragers, garage mosh pits have alarmed the local PD and early day Halloween parties exploded into fire, blood and booze. The West Coast has slash grinded to the growls of gritty vocals and a trip abroad vibrated though-out the Greek isles. For a Carlsbad band who has been causing havok for almost a decade, NIHILIST in the Carlsbad village seemed nearly impossible.

sean2Boar Cross’n in in the Carlsbad Village apparently disagreed. Up until tonight, NIHILIST had never played a gig in the village. With a reputation unacceptable to the motif of sleepy antique stores and warm summer strolls down Grand Ave, a village gig seemed unlikely. Noise is restricted to the sporadic horns of the passing Coaster and the rhythmic beats of  DFH is an annoyance of the past. Up until recently, Boar’s was known more for the cougar prowl than a seanhead banging venue. The occasional show offered local excitement, but news rarely spread.

With determination to redefine a forgotten destination, Boar’s penciled in a sure way to create hype. For those who have followed the path of NIHILIST, this show teased with historical relevance. With a recently released new album, a new lineup and on the heals of another West Coast tour, NIHILIST grabbed a sleepy village by the squealing hooves and ripped through another slaughtering performance.

mosh

Click HERE for NIHILIST tunes and tour info!

Thursdays on the Coast

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WHAT: visual and performing art walk
WHERE: Carlsbad Village
WHEN: July 30th 5pm-9

Thursdays on the Coast will take place the last Thursday of each month.

NIHILIST @ Boar Cross’n

l_70487f37d0854213a9d791c82b4eea8e

WHAT: NIHILIST
WHERE: Boar Cross’n Bar in the Carlsbad Village (map)
WHEN: Thurs. July 30th 9pm
WHY: Local metal is back in the village!

Past NIHILIST coverage HERE and HERE

What once was banned from the quiet streets of our village is back…

Coloring in the Gray Area

parking

Lines are are drawn and lines are used as bounderies. As a child you were told to stay within them. Your first rules and laws stretched across the white pages of your favorite coloring books and you tried your hardest to abide by them. When the colors of your art box slid across your page, stopping at the edge of a hard thick border, your mother would hang it on the family fridge… a reward for following the rules.

As an adult, the rules and laws of your day carry heavier punishments. Lines are still drawn to restrict and maintain, but the consequence of a wild smear of color is no longer a motivational push to try again.

When do your colors cross the lines?

Artistic Observations – East Coast pt.2

Artistic Observations East Coast part2 web

Whether in the carefully arranged window displays of SOHO, back alley wheat pastes of Brooklyn or down below in the subways, New York is a playground of observations, just remember that a crawl rarely slows down to anything less than a jog in the city that never rests.

click HERE for the full story and photos!

Artistic Observations – East Coast pt.1

Artistic Observations East Coast pt1

Observations clutter the mind during an adventure away from home. Similarities blend and differences scream for your attention. We attempted to sum up a location through a wide sweep of culture and community.

Click HERE for the full story and photos!


Email all thoughts, stories and photos to theartist (at) snyderartdesign.com